Haruko Cho Profile

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1977 Graduated from TokyoNationalUniversity of Fine Arts
2003 School of BostonMuseum of Fine Arts by Japan@Government

[Prize]
1996 China/Japan Art Exchange Exhibition,Shanghai (Gold/Grand Prix)
1997
The 26th Contemporary Art Exhibition of Japan (Museum Prize)
1998 The 27th Contemporary Art Exhibition of Japan (Museum Prize)
2001 The 8th Liquitex Biennale Exhibition (Glenn Brill Prize)
2003  International Print Triennial Krakow, Poland (Regular Award)
2006 21st Century Prints Grand Prix Exhibition (Special Prize)
2007   Guanlan International Print biennial,China (Museum Prize)
2008@The 8th@BHARAT BHAVAN@International Biennale India(Honorable Prize)@

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[Group Exhibition]
1995  Todayfs Japanese Contemporary Art Exhibition (
Seoul)
1997  The 51st Salon de Mai (Paris)
2000  Degirmendere International Art Exhibition (Turkey)
2001  gJapan 2001hBristol City Museum/The Royal Albert lMuseum (England)
2002  The 50th Contemporary Print Exhibition (Israel)
2003  Mini Print International de Cadaques (Spain)
2004  The 5th Triennial of small Graphic Forms Vilnius (Lithuania)

2005  The 4th Lessedra World Art Print Annual (Bulgaria)
2006  The glosif IserhInternatioal Engraving Biennial (Romania)
2007@Internationale Grafik Triennale Wien (Austria)
2008@Pacific Rim International Print Exhibition(New Zewland)















































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[Public Collection] Tikotin Museum of Japanese Art (Israel),Los Angeles CountyMuseum of Art (U.S.A), DegirmendereContemporary Art Museum
(Turkey
)TheNational Library (France),Museum of Tama Art University
(Tokyo),Manggha Centre of Krakow (Poland) etc.

[Solo Exhibition] Meguro Art Museum,Shinjuku Isetan Art Gallery, Gallery GinzaYoseido,Gallery Ginza bou,New York,Paris,Boston ,German Culture Hall ,
The
Kocaeli Museum(Turkey)etc.

[About  my  works]

I work through the medium of Lokta, a thick fibred handcrafted Nepalese paper and use the NECO printing technique. It results in enhanced rough horizontal lines when it is printed and it gives a mysterious atmosphere to the work. The edges of the paper are left uncut to further express their texture and their uniqueness can be more fully appreciated. So Ifd like to find further new shapes and produce ambiguous yet profound works. I am happy to have a chance to give you the new series The new series will stimulate your senses of sight, touch and taste.